Nakamichi NHTD200.4 Amplifier
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Nakamichi NHTD200.4 Amplifier
The Nakamichi NHTD200.4 is a powerful 4-channel amplifier with a compact size and a robust aluminum chassis that ensures efficient cooling and long lifespan. With high power output of 4 × 200 W RMS at 4 Ω, it is an ideal choice for strong speaker systems or configurations with one or two subwoofers. At a 2 Ω load, the amplifier can handle up to 4 × 300 W RMS, and in bridged mode, it offers up to 2 × 600 W RMS, providing wide connection possibilities. Thanks to Class-D technology, there is no need to worry about overheating, allowing you to place it practically anywhere. The amplifier features massive power and speaker terminals for reliable connections even under higher loads. Despite its compact dimensions, it offers excellent sound quality and very high performance in a body only 25 cm long. The Nakamichi NHTD200.4 is the perfect choice for those seeking a combination of high performance, versatile use, and space-saving design.
Main Features
- 4-channel Class D amplifier.
- Compact size and high power of 4 x 200 W RMS.
- Stable at 2 Ω, bridged at 4 Ω.
- RCA and OEM high-level inputs.
- FULL / HP / LP electronic crossover.
- Smooth input power control.
- Aluminum chassis and massive terminals for high load capacity.
About Nakamichi
The history of the Nakamichi brand dates back to 1948, when it was founded in Japan by Etsuro Nakamichi. The journey to fulfilling his dreams began with the establishment of the Nakamichi Research Corporation in Tokyo, Japan, which conducted research on sonar and magnets and developed products for major brands, government entities, universities, and organizations. Since then, it has established itself as a trusted creator of high-quality products, resulting from intensive scientific work, a passion for sound, and a commitment to providing uncompromising quality and performance. In 1972, Takeshi Nakamichi joined Nakamichi Corporation, playing a significant role in the company's expansion and being deeply involved in all legendary Nakamichi audio products sold in Asia, America, and Europe, including the first release of the Nakamichi 1000, the world's first cassette deck. He was considered one of the world's best acoustic and sound engineers, able to combine top-notch sound with the brilliant design advantages of audio products by Koza Kobayashi, the brand's chief engineer at the time. The amplifiers, players, and car radios from that era are considered legends today, yet the Nakamichi brand remains successful, producing products for home and vehicle audio systems. The thoughtfully planned portfolio of the manufacturer continues to expand, with all products offering an interesting price-performance ratio. Especially the higher model ranges strive to follow the legacy of Etsuro Nakamichi, whose name is still reflected in the brand's products today.
| Catalog number | NHTD200.4 |
| Brand | Nakamichi |
| Links | Official web presentation |
| Energy class of the amplifierAmplifiers are divided into two basic classes: analog and digital . Analog amplifiers (A/B) have higher consumption requirements, but usually have a more natural sound. Digital amplifiers (D) have significantly lower consumption and higher efficiency, but the sound may not be as faithful as with classic analog amplifiers. | D |
| Number of amplifier channelsAmplifiers are divided into: - Monoblocks - 2-channel - 3-channel - 4-channel - 5-channel - 6-channel - multi-channel Each channel is used to power one speaker for the coaxial type, or one side if they are component speakers. Monoblock type amplifiers are mainly used for subwoofers. 2-channel are suitable for both subwoofers and, for example, the front pair of speakers in a car. 3-channel is used for front or rear speakers + subwoofer. 4-channel are used for front + rear speakers or 1 pair of speakers + subwoofer. 6 or 5-channel are used for 2 pairs of speakers + subwoofer, most often. Bridging means connecting the amplifier to a bridge, using the + pole from one channel and the - pole from the other channel. In most cases this is shown as "BRIDGED" on the amplifier. | 4 |
| RMS power into 4 ΩRMS power when loading speakers or subwoofer at 4 Ω. RMS power is the constant power of the amplifier and is one of the most important parameters when choosing an amplifier. | 4 x 200 / 2 x 600 W |
| RMS power into 2 ΩRMS power when loading speakers or subwoofer at 2 Ω. RMS power is the constant power of the amplifier and is one of the most important parameters when choosing an amplifier. | 4 x 300 W |
| Frequency rangeThe ability of the amplifier to reproduce the signal from the lowest frequency to the highest = faithfully reproduce the sound in a specific frequency band. Professionally: In the frequency range from 40 to 16,000 Hz, the vast majority of fundamental and overtones (harmonics) of all musical instruments are found. We are interested in the course of the radiated sound pressure in this range of frequencies when the loudspeaker system is supplied with constant power. We call this course the frequency characteristic, which tells us the level of radiated sound pressure in decibels (dB) depending on the frequency. The frequency characteristic of a speaker or speaker system can be expressed most succinctly with a graph. Mostly, however, the frequency characteristic is indicated by indicating the maximum tolerance of the sound pressure in the given frequency range, e.g. 50 to 15,000 Hz -+ 6 dB. Since the frequency characteristics of loudspeakers and systems in general are quite uneven, some manufacturers do not even specify this maximum tolerance of sound pressure in decibels in their catalogs for reasons of prestige. Data impoverished in this way is unfortunately worthless. What is valid is that the manufacturer offers a speaker system with a frequency range of 30 to 20,000 Hz, if he is worried about stating the maximum unevenness of the sound pressure in this range, because he can have a tolerance of, for example, +- 20 dB. The unevenness or undulation of the frequency curve in good speaker systems for high-quality music performance should not exceed +-3 dB in the 80 to 12,000 Hz band and +-6 dB in the 40 to 16,000 Hz band. Greater unevenness already depletes or emphasizes certain tonal areas, which can cause audible or even disturbing distortion. The proportion between fundamental tones and higher harmonics also changes, thereby changing the color of the sound, and individual musical instruments as well as the entire musical image sound unnatural. | 20 - 20000 Hz |
| Harmonic Distortion (THD)Total harmonic distortion indicates how much the input signal is distorted in the amplifier. Distortions appear as overtones contained in the output signal. The proportion of originally absent parts of the signal is given as a percentage, typical values are between 0.001% and 0.5%. Distortion is measured in their power band. If it exceeds the limit of 0.7% from a certain power, it is the value of the output power of the given amplifier, from which it no longer plays without distortion and from which the distortion usually increases steeply, so that no further increase in power can be counted on. The lower the value, the better. | 0.1 % |
| Signal-to-noise ratioThe signal-to-noise ratio means that the output signal always contains noise. The signal-to-noise ratio expresses how much of this noise is compared to the useful signal. The so-called A value is given, which does not take deep and very high frequencies into account. This corresponds to the characteristic of human hearing, which is not so sensitive to deep frequencies, especially below 1 kHz. The higher the value, the better the amplifier is. | > 85 dB |
| Input sensitivityIn order for the amplifier to perform its function correctly, it requires an input signal of a certain level, which is different for car radios. It is measured in "Volts" (e.g. 2 V, 4 V, etc.) The higher the value at the output of the pre-amplifier, or car radio, the less demands are placed on the power of the amplifier. However, the amplifier must allow this input sensitivity, and for that reason this value is also given for the amplifier. | 0.2 to 6 V |
| High pass filter (HPF)HPF / HP or The "hi pass filter" offers the option of setting the amplifier using a potentiometer so that medium, possibly mid-bass and treble frequencies play upwards from a certain frequency. Example: Amplifiers most often have an HPF from 40 to 300 Hz. If we set the potentiometer to a value of approx. 150 Hz, the sound will be clipped so that it plays frequencies from 150 Hz up to the maximum upper limit of the entire frequency range of the amplifier, perhaps up to 20,000 Hz. We recommend setting this potentiometer in the range of 80-160 Hz. Thanks to this setting option, the speakers can handle a higher performance, as you will not overload them with bass in the lower frequency range. | Yes |
| Low-pass filter (LPF)LPF / LP or "low pass filter" offers the possibility to adjust the amplifier using a potentiometer so that the lower band plays only the frequencies in a certain band that you need. This filter is used to adjust the frequency range for the subwoofer, so that it does not overload or distort the sound. Example: Amplifiers most often have an LPF from 20 to 300 Hz. We recommend setting this potentiometer in the range of 45-80 Hz. | Yes |
| High level inputsThe high-level input on the amplifier allows connection directly to the existing speakers in the car without additional purchase of an external high/low adapter. Important equipment in the case of installing an amplifier on an original car radio. | Yes |
| Socket input terminalsFerrule terminals allow better wiring contact to the amplifier. It is also a more secure form of terminals. If you are tightening the sleeve terminals, we recommend retightening them after 1 day, as the connected cable gradually compresses. | Yes |
| Dimensions of the amplifier | 254 x 130 x 59 mm |
| Mass | 2.2 kg |
